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・ Socimi
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Society of Six
・ Society of Solicitors in the Supreme Courts of Scotland
・ Society of Soul
・ Society of Southwestern Entomologists
・ Society of SS. Peter and Paul
・ Society of St Gregory
・ Society of St James
・ Society of St Pius X in New Zealand
・ Society of St Vincent de Paul, Pakistan
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・ Society of St. Basil
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・ Society of St. John the Evangelist
・ Society of St. Paul (Anglican)
・ Society of St. Peter the Apostle


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Society of Six : ウィキペディア英語版
Society of Six
The Society of Six was a group of artists who painted outdoors, socialized, and exhibited together in and around Oakland, California in the 1910s and 1920s. They included Selden Connor Gile, August Gay, Maurice Logan, Louis Siegriest, Bernard von Eichman, and William Clapp. They were somewhat isolated from the artistic mainstream of the San Francisco Bay Area at the time, and painted in more avant-garde styles than most of their peers, especially after being inspired by modern trends represented in the Panama Pacific International Exposition of 1915.
William Henry Clapp (1879-1924) was the last to join the group and had the most cosmopolitan background, including art training in Montreal and Paris and a six-month stay in New York City. Having lived in Oakland in his youth, he returned in 1917, settled in Piedmont, and began teaching life drawing at the California School of Arts and Crafts in Berkeley. He was appointed acting director of the nearly new Oakland Art Gallery in 1918 and served as its director from 1919 to 1952. In 1923 he organized the first of six annual Society of Six exhibitions at that venue. Although he brought exposure through the gallery to more radical styles of painting, his own work adhered to the features of American Impressionism.
Selden Connor Gile (1877-1947) was the oldest member of the group, more than twenty years older than Siegriest (1899-1989) and von Eichman (1899-1970). Nancy Boas, author of ''The Society of Six: California Colorists'', called Gile "the forceful center of the Six--teacher, provider, and provocative critic."〔Nancy Boas, ''The Society of Six: California Colorists'' (San Francisco: Bedford Arts, 1988), p. 26. ISBN 9780520210547〕 Primarily self-taught, he enthusiastically embraced a vigorous style using broad, rapid brushstrokes and intense, non-naturalistic colors. His home was the social center for the Six, who would follow their days of plein-air painting with critique sessions, food, and drinking.
==Images==

File:Selden_Connor_Gile,_Joaquin_Miller's_House.jpg|Selden Connor Gile, ''Joaquin Miller Home'', 1915, oil on canvas, Oakland Museum of California
File:Louis Siegriest, Gile's House, 1921.jpg|Louis Siegriest, ''Gile's House'', 1921, oil on canvas, Oakland Museum of California


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